Two patented triangular capsules
Dual capsules minimize resonance and preserve phase, delivering an open and natural sound image.
Total polar pattern freedom
Shape classic patterns—or create entirely new ones—directly in the mix.
Built for space, depth, and detail
Excels at distance miking, orchestras, rooms, and immersive recordings.
Ehrlund EHR-T
Two capsules. One mic. Limitless possibilities.
The EHR-T is a Swedish-manufactured large-diaphragm condenser microphone, carefully built for studio use where clarity, flexibility, and musical honesty matter most. It is designed to deliver the cleanest sound possible—open, natural, and deeply detailed.
At its core are two patented triangular membranes, placed back-to-back and paired with patented ultra-low-noise, low-power phantom-fed amplifiers. This unique dual-capsule design gives the EHR-T a beautifully smooth and balanced pickup, with deep, solid bass and an extended, effortless treble. Self-noise is exceptionally low, sensitivity is high, and the frequency range reaches far beyond what the ear can hear.
With two completely independent output channels—one for the front capsule and one for the rear—the EHR-T offers a level of creative freedom that few microphones can match. The output signal is strong and clean, usually requiring very little gain, and the microphone remains transparent and stable in even the most demanding studio situations and concert halls.
Polar pattern freedom
The EHR-T is, in essence, two EHR-M microphones housed in a single body. Each capsule has its own dedicated amplifier, and both signals have independent XLR outputs.
By adjusting phase and level between the two channels during mixing, you can shape the microphone’s polar pattern with great precision—or invent entirely new ones. Instead of being limited to fixed patterns, the EHR-T invites you to explore.
- Omnidirectional: Keep both channels in phase and at equal gain
- Cardioid: Lower the gain of the rear channel completely
- Wide cardioid: As cardioid, but add a small amount of rear-channel gain
- Bi-directional (figure-eight): Invert the phase of the rear channel and keep both gains equal
- Supercardioid: Invert the rear channel’s phase and reduce its gain significantly
We encourage you to take time to experiment. Listen closely to how phase, gain, panning, filtering, or processing one channel differently affects the sound and the space around it. Somewhere between the classic patterns, you may discover something entirely your own.
Once you get a feel for it, the EHR-T becomes more than a microphone—it becomes a tool you can shape to fit any recording situation, any room, and any performance.
Characteristics & features
- Twin large-diaphragm condenser microphone
- Two patented triangular membrane design
- Internal amplification and power circuitry
- Extremely low-noise performance
- Phase- and frequency-linear internal amplifiers
- Strong output signal with high sensitivity
- Low energy consumption, approx. 2.0 mA
- Handles all source impedances without altering frequency or phase
- Frequency range from infrasonic bass to ultrasonic treble (7 Hz – 87 kHz)
- Excels at distance miking—minimal proximity effect
- Natural reproduction of fast transients
- Transparent, uncoloured sound—true to the original source
- Every Ehrlund microphone is individually built and stereo-matched within its model
- Amazing to capture classical orchestras, outdoor surround sounds and capturing rooms
Impedance
The frequency response remains unaffected by variations in load impedance from the mixing console. The response is identical whether connected to an input impedance of 200 Ω or 2000 Ω.
Power supply
2x 48 V / 2.0 mA phantom power via 5-pin XLR connector.
Cable
The microphone comes with a cable with a 5-pin XLR female to dual 3-pin XLR male.
Microphone stand connection
Standard U.S. thread:
5/8″, with included pre-mounted removable adapter for 3/8″.
Technical specifications
Type: Twin Condenser microphone
Membrane type: Dual patented triangular membrane to eliminate self-resonance in the capsule
Pickup pattern: Cardioid, supercardioid, bi-directional and omnidirectional
Frequency range: 7 Hz – 87,000 Hz
Sensitivity at 1 kHz: −33 dBV/Pa (23 mV/Pa)
Impedance: Unaffected by load impedance
Equivalent noise level: < 7 dBA
Signal-to-noise ratio: 87 dBA
Dynamic range: 115 dB
Max SPL (peak):
– 116 dB SPL @ 0.5% THD
– 122 dB SPL @ 1% THD
Power supply: 2x 48 V phantom power
Current consumption: 4.0 mA (2.0 mA per channel)
Connector: 5-pin XLR
Materials: Aircraft-grade aluminium body, hardened nickel-plated stainless steel grille
Dimensions: Ø60 mm × 155 mm (Ø2.36″ × 6.10″)
Weight: 345 g (0.76 lb)
PDF manual
Ehrlund EHR-T
Two capsules. One mic. Limitless possibilities.
The EHR-T is a Swedish-manufactured large-diaphragm condenser microphone, carefully built for studio use where clarity, flexibility, and musical honesty matter most. It is designed to deliver the cleanest sound possible—open, natural, and deeply detailed.
At its core are two patented triangular membranes, placed back-to-back and paired with patented ultra-low-noise, low-power phantom-fed amplifiers. This unique dual-capsule design gives the EHR-T a beautifully smooth and balanced pickup, with deep, solid bass and an extended, effortless treble. Self-noise is exceptionally low, sensitivity is high, and the frequency range reaches far beyond what the ear can hear.
With two completely independent output channels—one for the front capsule and one for the rear—the EHR-T offers a level of creative freedom that few microphones can match. The output signal is strong and clean, usually requiring very little gain, and the microphone remains transparent and stable in even the most demanding studio situations and concert halls.
Polar pattern freedom
The EHR-T is, in essence, two EHR-M microphones housed in a single body. Each capsule has its own dedicated amplifier, and both signals have independent XLR outputs.
By adjusting phase and level between the two channels during mixing, you can shape the microphone’s polar pattern with great precision—or invent entirely new ones. Instead of being limited to fixed patterns, the EHR-T invites you to explore.
- Omnidirectional: Keep both channels in phase and at equal gain
- Cardioid: Lower the gain of the rear channel completely
- Wide cardioid: As cardioid, but add a small amount of rear-channel gain
- Bi-directional (figure-eight): Invert the phase of the rear channel and keep both gains equal
- Supercardioid: Invert the rear channel’s phase and reduce its gain significantly
We encourage you to take time to experiment. Listen closely to how phase, gain, panning, filtering, or processing one channel differently affects the sound and the space around it. Somewhere between the classic patterns, you may discover something entirely your own.
Once you get a feel for it, the EHR-T becomes more than a microphone—it becomes a tool you can shape to fit any recording situation, any room, and any performance.
Characteristics & features
- Twin large-diaphragm condenser microphone
- Two patented triangular membrane design
- Internal amplification and power circuitry
- Extremely low-noise performance
- Phase- and frequency-linear internal amplifiers
- Strong output signal with high sensitivity
- Low energy consumption, approx. 2.0 mA
- Handles all source impedances without altering frequency or phase
- Frequency range from infrasonic bass to ultrasonic treble (7 Hz – 87 kHz)
- Excels at distance miking—minimal proximity effect
- Natural reproduction of fast transients
- Transparent, uncoloured sound—true to the original source
- Every Ehrlund microphone is individually built and stereo-matched within its model
- Amazing to capture classical orchestras, outdoor surround sounds and capturing rooms
Impedance
The frequency response remains unaffected by variations in load impedance from the mixing console. The response is identical whether connected to an input impedance of 200 Ω or 2000 Ω.
Power supply
2x 48 V / 2.0 mA phantom power via 5-pin XLR connector.
Cable
The microphone comes with a cable with a 5-pin XLR female to dual 3-pin XLR male.
Microphone stand connection
Standard U.S. thread:
5/8″, with included pre-mounted removable adapter for 3/8″.
Technical specifications
Type: Twin Condenser microphone
Membrane type: Dual patented triangular membrane to eliminate self-resonance in the capsule
Pickup pattern: Cardioid, supercardioid, bi-directional and omnidirectional
Frequency range: 7 Hz – 87,000 Hz
Sensitivity at 1 kHz: −33 dBV/Pa (23 mV/Pa)
Impedance: Unaffected by load impedance
Equivalent noise level: < 7 dBA
Signal-to-noise ratio: 87 dBA
Dynamic range: 115 dB
Max SPL (peak):
– 116 dB SPL @ 0.5% THD
– 122 dB SPL @ 1% THD
Power supply: 2x 48 V phantom power
Current consumption: 4.0 mA (2.0 mA per channel)
Connector: 5-pin XLR
Materials: Aircraft-grade aluminium body, hardened nickel-plated stainless steel grille
Dimensions: Ø60 mm × 155 mm (Ø2.36″ × 6.10″)
Weight: 345 g (0.76 lb)
PDF manual
Two patented triangular capsules
Dual capsules minimize resonance and preserve phase, delivering an open and natural sound image.
Total polar pattern freedom
Shape classic patterns—or create entirely new ones—directly in the mix.
Built for space, depth, and detail
Excels at distance miking, orchestras, rooms, and immersive recordings.
Ehrlund EHR-T
Two capsules. One mic. Limitless possibilities.
The EHR-T is a Swedish-manufactured large-diaphragm condenser microphone, carefully built for studio use where clarity, flexibility, and musical honesty matter most. It is designed to deliver the cleanest sound possible—open, natural, and deeply detailed.
At its core are two patented triangular membranes, placed back-to-back and paired with patented ultra-low-noise, low-power phantom-fed amplifiers. This unique dual-capsule design gives the EHR-T a beautifully smooth and balanced pickup, with deep, solid bass and an extended, effortless treble. Self-noise is exceptionally low, sensitivity is high, and the frequency range reaches far beyond what the ear can hear.
With two completely independent output channels—one for the front capsule and one for the rear—the EHR-T offers a level of creative freedom that few microphones can match. The output signal is strong and clean, usually requiring very little gain, and the microphone remains transparent and stable in even the most demanding studio situations and concert halls.
Polar pattern freedom
The EHR-T is, in essence, two EHR-M microphones housed in a single body. Each capsule has its own dedicated amplifier, and both signals have independent XLR outputs.
By adjusting phase and level between the two channels during mixing, you can shape the microphone’s polar pattern with great precision—or invent entirely new ones. Instead of being limited to fixed patterns, the EHR-T invites you to explore.
- Omnidirectional: Keep both channels in phase and at equal gain
- Cardioid: Lower the gain of the rear channel completely
- Wide cardioid: As cardioid, but add a small amount of rear-channel gain
- Bi-directional (figure-eight): Invert the phase of the rear channel and keep both gains equal
- Supercardioid: Invert the rear channel’s phase and reduce its gain significantly
We encourage you to take time to experiment. Listen closely to how phase, gain, panning, filtering, or processing one channel differently affects the sound and the space around it. Somewhere between the classic patterns, you may discover something entirely your own.
Once you get a feel for it, the EHR-T becomes more than a microphone—it becomes a tool you can shape to fit any recording situation, any room, and any performance.
Characteristics & features
- Twin large-diaphragm condenser microphone
- Two patented triangular membrane design
- Internal amplification and power circuitry
- Extremely low-noise performance
- Phase- and frequency-linear internal amplifiers
- Strong output signal with high sensitivity
- Low energy consumption, approx. 2.0 mA
- Handles all source impedances without altering frequency or phase
- Frequency range from infrasonic bass to ultrasonic treble (7 Hz – 87 kHz)
- Excels at distance miking—minimal proximity effect
- Natural reproduction of fast transients
- Transparent, uncoloured sound—true to the original source
- Every Ehrlund microphone is individually built and stereo-matched within its model
- Amazing to capture classical orchestras, outdoor surround sounds and capturing rooms
Impedance
The frequency response remains unaffected by variations in load impedance from the mixing console. The response is identical whether connected to an input impedance of 200 Ω or 2000 Ω.
Power supply
2x 48 V / 2.0 mA phantom power via 5-pin XLR connector.
Cable
The microphone comes with a cable with a 5-pin XLR female to dual 3-pin XLR male.
Microphone stand connection
Standard U.S. thread:
5/8″, with included pre-mounted removable adapter for 3/8″.
Technical specifications
Type: Twin Condenser microphone
Membrane type: Dual patented triangular membrane to eliminate self-resonance in the capsule
Pickup pattern: Cardioid, supercardioid, bi-directional and omnidirectional
Frequency range: 7 Hz – 87,000 Hz
Sensitivity at 1 kHz: −33 dBV/Pa (23 mV/Pa)
Impedance: Unaffected by load impedance
Equivalent noise level: < 7 dBA
Signal-to-noise ratio: 87 dBA
Dynamic range: 115 dB
Max SPL (peak):
– 116 dB SPL @ 0.5% THD
– 122 dB SPL @ 1% THD
Power supply: 2x 48 V phantom power
Current consumption: 4.0 mA (2.0 mA per channel)
Connector: 5-pin XLR
Materials: Aircraft-grade aluminium body, hardened nickel-plated stainless steel grille
Dimensions: Ø60 mm × 155 mm (Ø2.36″ × 6.10″)
Weight: 345 g (0.76 lb)
PDF manual
Two patented triangular capsules
Dual capsules minimize resonance and preserve phase, delivering an open and natural sound image.
Total polar pattern freedom
Shape classic patterns—or create entirely new ones—directly in the mix.
Built for space, depth, and detail
Excels at distance miking, orchestras, rooms, and immersive recordings.